Our exhibition catalogue has now sold out. You can, however, now download a pdf file of the catalogue and get this printed yourself.

I realise this is short notice, but we just filmed a short segment on the charge at Beersheba (31 October 1917) in the exhibition this afternoon. It should run on SBS World News Australia, from 6.30 to 7.30 pm. It is being run in conjunction with a story about the dedication of the new Australian Light Horse Memorial at Beersheba by the Israeli President Shimon Peres and the Australian Governor-General Major General Michael Jeffery in Israel on 28 April 2008.

You can read further reports here and here.

My colleague Robyn Van Dyk and I have probably taken well over 1,200 people on guided tours of the Memorial’s current special exhibition Lawrence of Arabia and the Light Horse. As ANZAC Day 2008 approaches it is interesting to reflect on which Light Horse images have  resonated most profoundly with our visitors. This week, I also took some veterans from the Vietnam War through the exhibition. They had served in the battle for Fire Support Patrol Base Coral in May 1968 and I asked them which images had a special meaning for them.

So, I’d like to draw attention to several images, each of which has something to reveal about the ANZACs involved in the campaign from the defence of the Sinai in 1916 through to their great ride to Damascus in late 1918. (This will probably take at least two posts.)

Lieutenant General Sir Harry Chauvel of the Light Horse

In 1916, after the Gallipoli campaign, the Australian Light Horse brigades remained in Egypt and, with the New Zealand Mounted Rifles Brigade, were formed into the ANZAC Mounted Division under the command of Major General Harry Chauvel. Light Horsemen were hardy, self-reliant and independent minded. They could shoot straight and ride well. Harry Chauvel was no exception and his soldiers knew it.

He emerged from the First World War as one of Australia’s most effective and widely respected generals. It was Chauvel who issued the order to charge at Beersheba in the third and successful attack on the Gaza defensive line of the Turks. His able and dynamic command spearheaded the British advance through Palestine in 1917 and 1918, and projected it through Damascus to the northern Syrian border and the final capitulation of the Turkish forces.

James McBey, a British official war artist, has captured this very candid image of Chauvel as the commander of the Desert Mounted Corps in Homs at the end of the campaign in mid-October 1918. He is shown proudly wearing his slouch hat and the emu plumes worn by many Light Horse regiments. Chauvel looks older than his 53 years, but appears very much to be a man in the moment. By this stage he was responsible for thousands of Turkish prisoners, hospitals over-flowing with wounded soldiers and others struck by serious diseases including typhoid and malaria, and for restoring order in the large cities like Damascus that were suffering from the chaos that followed the Turkish withdrawal. Chauvel was shocked by this portrait:  I think he probably hadn’t realised how much the war had aged him. He wrote to his wife in London that the painting was drying in his hotel room and he expected that it would give him night mares. read on